This ephemeral work explores the subject of self-determination and rebellion. Created directly before the eve of Roshashana (the Jewish New Year) from 5780 to 5781, after the outbreak of the novel coronavirus. It plays upon the tradition of Jews dipping apples in honey in hopes of a sweet New Year. This work symbolizes that even and especially within times of hardship, we can find connection through shared traditions; no matter where we may live in the diaspora.